Spring has spring! Enjoy!

art predator

The Way It Is

There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.

– William Stafford (1914-1993)

View original post 331 more words

Judith Ortiz Cofer’s essay “The Myth of the Latin Woman”

Judith Ortiz Cofer led an Operation Homecoming workshop at MacDill Air Force Base in Tampa, Florida. (Photo credit: Wikipedia)

Judith Ortiz Cofer is the author of A Love Story Beginning in Spanish:  Poems (2005); Call Me Maria (2006), a young adult novel; The Meaning of Consuelo (2003), a novel; Woman in Front of the Sun: On Becoming a Writer (2000), a collection of essays; An Island Like You: Stories of the Barrio (1995), a collection of short stories; The Line of the Sun (1989), a novel; Silent Dancing (1990), a collection of essays and poetry; two books of poetry, Terms of Survival (1987) and Reaching for the Mainland (1987); and The Latin Deli: Prose and Poetry (1993).  Her work has appeared in The Georgia Review, Kenyon Review, Southern Review, Glamour and other journals. Her work has been included in numerous textbooks and anthologies including: Best American Essays 1991, The Norton Book of Women’s Lives, The Norton Introduction to Literature, The Norton Introduction to Poetry, The Heath Anthology of American Literature, The Pushcart Prize, and the O. Henry Prize Stories. Judith Ortiz Cofer is currently the Regents’ and Franklin Professor of English and Creative Writing at the University of Georgia.

“The Myth of the Latin Woman” by Judith Ortiz Cofer has been a favorite reading for many of my students since one of my students suggested I teach it back in 2004. It’s in the reader we use, 50 Essays edited by Samuel Cohen, and my students read it once again this semester. This essay works particularly well in tandem with the essay by Brent Staples “Black Men and Public Space” which is also in 50 Essays.

On a bus trip to London from Oxford University where I was earning some graduate credits one summer, a young man, obviously fresh from a pub, spotted me and as if struck by inspiration went down on his knees in the aisle.  With both hands over his heart, he broke into an Irish tenor’s rendition of “Maria” from West Side Story.  My politely amused fellow passengers gave his lovely voice the round of gentle applause it deserved.  Though I was not quite amused, I managed my version of an English smile: no show of teeth, no extreme contortions of the facial muscles – I was at this time of my life practicing reserve and cool.  Oh, that British control, how I coveted it.  But “Maria” had followed me to London, reminding me of a prime fact of my life:  you can leave the island, master the English language, and travel as far as you can, but if you are a Latina, especially one like me who so obviously belongs to Rita Moreno’s gene pool, the island travels with you. (1)

This is sometimes a very good thing – it may win you that extra minute of someone’s attention.  But with some people, the same things can make you an island – not a tropical paradise but an Alcatraz, a place nobody wants to visit.  As a Puerto Rican girl living in the United States and wanting like most children to “belong,” I resented the stereotype that my Hispanic appearance called forth from many people I met. (2)

“The Obligation to Endure”–Rachel Carson’s “Silent Spring” Turns 50

Fifty years ago, in 1962, Rachel Carson published her landmark and highly influential book, Silent Spring. According to Wikipedia,

Rachel Louise Carson (May 27, 1907 – April 14, 1964) was an American marine biologist and conservationist whose writings are credited with advancing the global environmental movement. Carson began her career as a biologist in the U.S. Bureau of Fisheries, and became a full-time nature writer in the 1950s. Her widely praised 1951 bestseller The Sea Around Us won her financial security and recognition as a gifted writer. Her next book, The Edge of the Sea, and the republished version of her first book, Under the Sea Wind, were also bestsellers. Together, her sea trilogy explores the whole of ocean life, from the shores to the surface to the deep sea. In the late 1950s, Carson turned her attention to conservation and the environmental problems caused by synthetic pesticides. The result was Silent Spring (1962), which brought environmental concerns to an unprecedented portion of the American public. Silent Spring, while met with fierce denial from chemical companies, spurred a reversal in national pesticide policy—leading to a nationwide ban on DDT and other pesticides—and the grassroots environmental movement the book inspired led to the creation of the Environmental Protection Agency

What follows is chapter two from Silent Spring. It is still meaningful and relevant today, 50 years after it was published.

THE HISTORY OF LIFE on earth has been a history of interaction between living things and their surroundings. To a large extent, the physical form and the habits of the earth’s vegetation and its animal life have been molded by the environment. Considering the whole span of earthly time, the opposite effect, in which life actually modifies its surroundings, has been relatively slight. Only within the moment of time represented by the present century has one species — man — acquired significant power to alter the nature of his world.